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user Ratings - 6 / 10 stars Scores - 72 vote Kitty Green writer - Kitty Green 85 minutes. Mr. Darcy ❤️. The assistants.

Now i know what happen to the cop at the end of Stranger Things Season 3

The assistante de vie. The assistant 2019. The assistant review. I loved this movie. The casting was perfect. Its a good movie for fathers to watch with their daughters. Is tht Drummer from The Expanse. The assistant julia garner. Search Enter your location above or select your theater below Search & Filter. History isn't kind to men that play God Morgan Freeman: it's been pretty kind to me. This honestly scared me more than any horror movie trailer. Specifically because its so REAL. This HAPPENED.

The assistant surprise eggs. The assistant aqw. The assistant madams. The assistant. This trailer legit scared me... great, now I'm gonna have Nightmares Before Christmas. Isla Fisher never ages. I remember seeing her from her Home and Away years back 25 years ago. Still looks the same since then. Amy Adams and Julianne Moore, my two favorite gingers in one movie.

Posted on Thursday, December 5th, 2019 by The monstrous behavior of Harvey Weinstein finally met its match a couple years ago when women in Hollywood took a stand against the heinous abuse and sexual harassment that came from one of entertainments most infamous producers. It sparked the #MeToo movement and made waves across show business, targeting the manipulative men who had been taking advantage of women and behaving inappropriately for years. Now, a new drama called The Assistant shines even more light on the toxic environment that too many women have had to put up with, and the first trailer has just arrived. The Assistant Trailer The Assistant stars Julia Garner ( Ozark, The Americans) as a recent college graduate trying to break her way into the film industry by paying her dues as an assistant to a powerful entertainment mogul. But once shes on the job, slowly she starts to realize whats happening around her and stands up against the horrors looking her in the face. And all of this unfolds in just one day on the job. The movie isnt directly inspired by Harvey Weinstein, but its very clearly about him and so many other toxic people working in Hollywood who have perpetuated a not-so-secret system of sexual harassment and misconduct. As you can see, the quotes from critics who caught the movie at the Telluride Film Festival this year paint a clear picture of how much this movie resonates without being melodramatic about it all. It also helps that this movie is directed by Kitty Green, providing a much needed female perspective to these horrific standards in the entertainment industry. The Assistant also stars Makenzie Leigh, Kristine Froseth, Jon Orsini, and Noah Robbins. Heres the official synopsis: The Assistant follows one day in the life of Jane (Julia Garner) a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistants – making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered. The Assistant will play at the 2020 Sundance Film Festival in January before hitting theaters on January 31, 2020. Cool Posts From Around the Web.

The assistante maternelle. Now Playing In Select Theaters. Everywhere February. Story The Assistant follows one day in the life of Jane (Julia Garner) a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistants – making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her workday, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered. The Assistant Official Trailer The Assistant Official Trailer.

Starring: Alexander Chaplin, Bregje Heinen, Clara Wong, Dagmara Dominczyk, Devon Caraway, Jonny Orsini, Julia Garner, Juliana Canfield, Kristine Froseth, Lou Martini Jr., Makenzie Leigh, Matthew Macfadyen, Noah Robbins, Purva Bedi, Stéphanye Dussud Summary: The Assistant follows one day in the life of Jane (Julia Garner) a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistants – making coffee, changing the paper in the copy machine, ordering lunch, arranging The Assistant follows one day in the life of Jane (Julia Garner) a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistants – making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered … Expand Genre(s) Drama Rating: Not Rated Runtime: 85 min.

Julia Garner is soaaaaring! Goodluck and congratulations on everything. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates.

The assistant youtube video. The assistant rotten tomatoes. The assistant commercial. Do they give awards for movie trailers. Its coming out on my birthday. The assistant novel. Sorry, I just couldn't waste anymore of my time watching this. 1:53.

The assistant manager. The lines in this movie are meme, gif, etc worthy. The writers did a great job here. I don't wanna do anything with half an ass. 😂👏👏🏆. The assistant amazon. The assistant showtimes. That music and sound had me so anxious the whole time! 😖. The assistant. The assistant youtube for kids. I wouldnt call writer-director Kitty Greens The Assistant, hitting theaters Jan. 31, a strictly #MeToo era film. Of course, the plot obviously has much to do with the Harvey Weinstein reckoning (with a trial that is currently underway) as well as the larger conversation around gendered abuses of power in public and professional spheres. But more specifically, this is a film about the U. S. film industrys failure to support workers rights—especially those of workers who are part of historically marginalized communities. The right to not be abused—sexually, emotionally, or otherwise—at work should always be at the center of these conversations. But for years and years, the film industry, from the production assistants (in offices and on set) to leading talent, has refused to take the conditions of its most junior employees seriously; the rub is that many of the employees who have managed to climb the ranks are in some way complicit in aiding the abuse. The Assistant follows, with close-ups and a patient yet eerily still camera, recent Northwestern graduate and aspiring film producer Jane (Julia Garner) who has been working as an assistant to a high-powered film producer for five weeks. As the most junior assistant of three—the other two assistants are men—she must be the first to arrive, in the cold darkness of a New York winter, and the last to leave. She also works weekends. Jane lives in an apartment in a small old building in Astoria, and we first see her, well before sunrise, leaving her place to get into a car that will take her to the Manhattan office where she serves as every beleaguered associate producers passive punching bag. Her colleagues barely acknowledge her as she prints their documents, orders their lunch, tidies up their spaces, replaces their supplies, responds to their emails, and puts out their administrative and personal fires with a supremely controlled phone manner. The two male assistants she works with have a good cop/bad cop routine that amounts to the substance of the cliché—that is, none at all; they push volatile, unwanted situations her way, and only help her when she needs to write compulsory apology emails to their shared overlord. What Jane does for that overlord, her boss—a man we never see but hear from and of—is often extreme: In one scene, we see her take his insulin syringes out of his personal trash can with her bare hands and place them into one of the plastic red biohazard bags she keeps in her desk. Garner masters the portrayal of Jane with physical subtlety as well as an undercurrent of emotion suppressed so fiercely it has its own subplot. Garners performance works so well both because of its expert control and its small yet resounding flights of fear and fury, which hit me in the gut with some personal resonance. One summer during college, I worked in a film production office as a full-time intern alongside overworked and underpaid young assistants; Ive also worked as a full-time assistant in the media industry. While neither industry tends to reasonably account for the intellectual or emotional labor of entry-level workers, my film industry experience was far more demanding. “ The internship was the only position Ive ever held where I directly experienced verbal abuse, and in which there was an overwhelming mandate to place the wellbeing of the producer-executives above your own. ” The internship was the only position Ive ever held where I directly experienced verbal abuse, and in which there was an overwhelming mandate to place the well-being of the producer-executives above your own. Still, I was only there for a summer, I told myself, and even felt lucky to be in entrusted with filling in for the assistants when they took time off. The Assistant masters the power dynamics that are central to the various abuses withstood in these kinds of you-should-feel-lucky-to-be-here workplaces: You are special yet disposable—in one moment, youre a genius on the path to professional stardom, and in the next, youre an ungrateful embarrassment. To cope (or make sense of your investments of time and energy) you hold onto instances of praise as proof that the mistreatment is merely a test, a necessary obstacle on the way to greatness. But I was not as ambitious as my peers and, after that summer, sought out experience in other areas, which made it difficult for me to secure a job after college (one of the assistants—and not one of the producers—I worked with during the internship went out of her way to help me with the post-grad job search, so much so that, years later, I still think about her kindness. Looking back, not securing a film producers assistant job was perhaps a sign, not least because the 20, 000-a-year Manhattan-based jobs I was interviewing for in 2015 are at the center of what we talk about when we talk about the corruption and toxicity of the film industry. Its a system where wrongs are not only committed by predatory or dismissive men in power, but also nearly everyone else with some leverage to actually do something about it, including women who strategize their way through the glass ceiling, pretending that once arrived they cant see back through to the other side. With both the economy of words in her script and tightness of her direction, Kitty Green refuses to turn away from the isolation and banality of the grunt work in the film industry, which makes for a transfixing and harrowing film that briefly crosses into comedic absurdity. Key to the story is that Janes boss is not just verbally abusive but also sexually predatory, though not toward her. When Jane tries to ring the alarm after (spoiler) a young and unqualified assistant is hired out of nowhere and put up in a fancy hotel, she is brutally and skillfully rebuffed by the head of human resources (Matthew Macfadyen) who implicitly threatens her job. Later, after receiving an ugly verbal thrashing from her boss over the phone about going to HR, he replies to her apology email saying (Im paraphrasing) “Im sorry. Youre good. I push you because I know you will be great. ”  Several supporting actors from the TV series Succession fill out the adjacent roles of repressed and complicit coworkers in The Assistant, including Macfadyen, again playing a deceptively affable corporate shill; Dagmara Dominczyk, again glued to her phone while shielded by an expensive bob haircut; and Juliana Canfield, again an assistant, but this time of the sort tasked with picking up laundry, packing luggage, and babysitting at severely competent levels (of course the most physically demanding domestic and interpersonal work is thrust upon a woman of color. The emotional and psychological abuse Jane suffers goes hand in hand with her bosss sexual predation, with the former paving the road for the latter. And positioned along that road are several men and women who know about it and know better, yet would prefer to overlook abuse in the service of their professional ambitions instead of fighting to have the dignity of their fellow workers respected. So far, the film industry—from the Hollywood studios to the New York production companies—has done all it can to avoid reckoning with the intrinsic nature of its problems, focusing instead on corporate and carceral feminisms that attend to individual instances of reported sexual abuse rather than taking steps to upend an entire system dependent on myriad exploitations. The Assistant begs the question: What will we do, the Janes among us.

I an literally sobbing Right now, when her father said, I am blessed with two daughters. The assistant movie review. The assistant manager. The way she talks and acts reminds me of Carol character from the walking dead but younger version, I love the dark revenge story! Would definitely try watch it when it comes out. Average rating 3. 98 3, 060 ratings 245 reviews, Start your review of The Assistant This book was pretty much unreadable, it was silly and childish and it read like something written by a teenager. There were mini info-dumps throughout the entire book that added things that were completely irrelevant to the story. Every woman (especially Emily) in the book was a TSTL doormat and Adrian was a sexual harassment suit waiting to happen. The main characters are supposedly adults, but they acted more like immature kids, and while persistence is usually cute and sexy on a male MC, it... OK I had multiple problems with this book. The characters were shallow, felt like she was about 14 and he about 16 with their childish behavior and little girl "cutsie" attitude. and Adrian was a walking Sexual Harassment Suit just waiting to happen. I mean what type of "boss" hits on a total stranger in an interview? get real! And If I had been her I would have slapped him, walked out and filed a complaint about it. Not turned around and accept the job! He was cruel to her at times, deliberately... When did sexual harassment become acceptable in the work place? The Assistant by Ella Brace was a waste of time and two of my hard earned dollars. I hated the characters, especially Amy, the best friend. No one was likeable and we had no back story on any of them. So you have no idea who the main character, Emily, is or why she desperatly needs the assisting job. So much so that she sticks by the prick, Adrain, for so long. Also, who in their right mind lets am irresponsible 25 year old run a... Seriously one of the most awesome books ever. I'm so proud that it's getting published and I absolutely cannot wait to buy my many, many copies! A must read for those who want a great romantic, humorous and all round amazing book. Definitely worth a 5 star rating. Girls who respect themselves, don't read this. Just don't. Point one. Characters are unrealistic and I'm pretty sure I was close to stabbing this story with Lorde's song Royals hoping it would start to make at least a little relation to me. Weight is not gaps aren't everything but apparently they are in this story since some of the girls act harshly towards Emily because of her figure, I'm not a big girl but I have a friend that is she is not judged for her figure or weight... Ok first off after reading this book I never want to hear, see, or even think about the word 'smirk. Jesus! there are so many ways she could have conveyed a character's facial expression or feelings other then 'smirk. Second it was hard for me to believe the romance was real, Adrian was a arrogant big baby, and Emily was the weakest female character I've come across in a long time. Somehow the relationship happened and Emily was just riding along. SPOILERS. The kidnapping was just so weird, so... 1 star or 5 stars, that is the million dollar question, for me. I'm relatively new to Wattpad, The Assistant being the second book that I discovered. The description had me interested from the beginning, but after reading into the information and comments made on Wattpad, I discovered that this book had been picked up by a publisher. I'm all for seeing people succeed, so congratulations to the author. But, here is where I have such conflicting feelings about how to rate this book. 1 (but not... I struggled reading this book. here's a list of things which made no sense to me: 1. who takes a job after being harassed during the interview? 2. who wants to be with a man who has sex an undetermined amount of women in the next room, all the while he's making passes at you? that's just desperate 3. If you don't want to live with someone, How weak are you that you can't say no. 4. Why is she with someone who's father is constantly making extremely inappropriate remarks about her chest? There's... If there was a negative star scale I would have given this book top marks. The Assisstant by Elle Brace is a book that, were Grammar Nazis in power, would have the author condemned to life imprisonment. My pet peeve (and the book is riddled with so many peeves) is the chronic overuse of the word 'smirk. and by chronic I man apocaliptically so. Our hero's (and I use the word purely in its literary sense) incessant smirking is so good that he's apparently had it trademarked. a fact we are... I see all the high ratings and I just don't understand. The books was soooo off, humor was disconnected, heck the whole book was disconnected. It read like a Wattpad book to me, each chapter disjointed w/ the previous one. Characters were flat and downright annoying because they were so repetitive. The hero reminded me of a toddler-tantrums (physical) poutings, unreasonable demands, and just plain immaturity that made me wonder if I would even let him run an ice cream stand let alone a billion... This review has been hidden because it contains spoilers. To view it, click here. Smirked You know how most authors are creative and don't continually use "said" Elle Brace used smirked after everything. EVERYONE in the book smirked ALL the time. Find a thesaurus, please! The title of this book should have been "Smirked. Would have been fitting. The rest of the review: All women in this book were doormats. He sexually harassed Emily constantly. It implied that he sexually harassed all his assistance. He had sex in his office with multiple partners whenever he was frustrated... I loved this book already. Read this when it was on Wattpad. An awesome, fun, sweet romance book. What the hell is this book? Ok, look I can totally suspend reality to read a book. I really can. If the book is fantasy or sci fi, I'm all over suspending reality to enjoy a new world. I cannot suspend reality in a book that is realistic fiction. That is what you would have to do to get through this book (which I did not. Ok, any normal person would have yelled Sexual Harassment at the interview. Yet this girl just puts up with it and then continues to put up with it throughout half the book... After about 10 minutes I thought to myself 'it's got promise, I'll just read on. So I did. Then came the scene where she was auctioned and expected to be someone's toy for the evening, didn't see the twist coming there (really. and what was with the mate Amy? She was way too clingy but the parts that really finished me off were the 'Smelly Emily' and 'Flakey Blakey' for God's sake these were people in their mid twenties going on like kids. Her parents couldn't resist telling her that she... This is one of the BEST romance books I have ever read! It's not one of the cliche romances were they see each other from across the room and are instantly in love, you get to see the process of how Adrian and Emily fall in love. I definitely recommend this book to anyone looking for a good romance that will make you frustrated, laugh, happy, and most of all leave you feeling really mushy on the inside. (as cheesy as that sounds) Oh My Goodness! This book was amazing. I loved the spit fire attitude Emily has. I could not put the book down. I read it in one night. I first read The Assistant on Wattpad, which is where it was first published, so to speak. I thought the blurb was interesting and decided to start reading it. Thankfully I finished it before its publication date, so I know how the story ends, not that I'll be spoiling it for others. My favourite character would most likely be Adrian's father. I thought his character to be quite interesting and fun, a character that relieved any tension in the book. My thoughts on Emily was that she was... This book was one of the best books I have ever read! The author wrote everything so well and at a good pace. Besides that it also made you not want to put the book down until you finished it. I would recommend this book to anyone because it has a little bit of everything. The two main characters were very well described and you could conect to them in so many ways. Again AWSOME book! One of the best books I have read on wattpad! The plot got me hooked and I couldn't stop reading. I'll give it 1. 5* because I managed to finish it. Although I had to skip to the end. I hate to be nasty but this is not worth the time you spend reading. SPOILERS AHEAD. LITTLE SPOILERS THOUGH. NOTHING MAJOR. I love Wattpad and there are some amazing books that deserves to be published, but this? This is disappointment. Let me tell you why: 1) The author sounds like a 13 years old, if you read this book you'll understand exactly why. The phrases, the dialogues. Painful to read. 2) Main guy is really really extremely creepy, stalkerish and asshole. Don't get me wrong, assholes&badboys are totally my type but this guy is in a whole another level... SPOILER ALERT 2. 5 stars. I had high hopes for this book and everytime it seemed to be turning a corner i got sucked back into wasnt all bad to be honest but there were a few things that just niggled me. Emily - When i first started reading i thought she was 20/21 fresh out of college but when her friend mentioned she was 24 i couldnt help but think her immature. She blushed far too much and called people idiot too much and my pet constantly told people to shut up... This book had promise but it very quickly disappeared. It was too ridiculous and too long. Don't bother with this one, I'm sorry I did. Did not arted having potential but with all the blushing etc. I like a more assertive female, not a blushing hot mess I am at a loss for words 1 star This is the first time I have ever given a book a 1 star. I sure hope it will be my last. I honestly do not know where to begin with this. There were too many name mistakes and mixups to count. The repetitiveness of the book was just way too much for anyone in general. I screamed a couple times when I read the word idiot because once the character Started saying that word it was constant and I just didn't want to read anymore but I did and I finished the book to the... Well since it's a wattpad story I guess its normal that I am giving a 2 stars review. Basically the characters are childish, behave childishly especially the main character's friend, who makes sexual nuances all the time about the main male character, also Adrian is a sexual harasser no kidding, and it's actually naturalised as If it's normal and acceptable which is not, it's almost absurd to accept for a male character to be sexual throughout the whole story, the way the writer speaks through... I don't like to give reviews but i since i can explain why i read this book or why i even finished this book, i might as well do this. I am all for unrealistic plot lines but lets keep below a 100 pages. The entire story from the beginning to the last full stop was just absolute. no word has been invented to describe the train wreck that is this book. No one and i mean no one above 20 exclaims that much, smirks that much or generally is that childish. Even those above 50 sounded like... I went in to reading this book with high hopes (it's the romantic soul in me) but after reading first few pages i was already over it. Who would work for a boss that harrases you on your interview? I mean come on, on a scale 1-10 how stupid Emily is? 16. So it's ok for Adrian being creepy and the author presents it as sexy, but when that David guy does exactly the same he's a creep. They BOTH are. I had such a hard time reading this, it was torture and i rolled my eyes so many times i think...

The assistant institute. The assistant malamud. The assistant kids videos. Harvey Weinstein looms over Kitty Green ‘s drama The Assistant. The movie is about an assistant working for an unseen production company boss, but its impossible to watch the film without thinking of the grotesque mogul. To be fair, The Assistant isnt solely about Weinstein and it seeks to examine how regular people function in a toxic environment, but Green consciously chose to set her movie in a film production office rather than a hedge fund or any other workplace that might serve a gross, horny overlord. The concept of the tyrannical and abusive studio mogul is nothing new, and thats kind of the main problem with The Assistant —it doesnt really have anything new to add that you couldnt already deduce from publicly known facts. The film is ostensibly a view from the bottom at how a figure like Weinstein operated, but in 2020, were already past that. Perhaps if The Assistant had been released at the height of Weinsteins powers it would have been more captivating, but today it feels more like a footnote. Jane ( Julia Garner) is a junior assistant to a powerful but unseen production executive. The film is a day in her life as she gets up early and does a variety of tasks like tidying up her boss office to ordering food to dealing with his wife to facilitating how the boss preys upon women. When Jane, who has only been working in the company for five weeks, encounters a young, pretty, and innocent young woman whos come from Boise, Idaho to be a new assistant, she wonders if she should take the issue to HR ( Matthew Macfadyen) even though her mountain of indirect evidence may not be good enough to prove misconduct. But overall, Jane quietly moves through a system largely devoid of kindness and empathy as everyone keeps their heads down, accepts that the boss is a tyrannical pervert, and goes about their day. Image via Bleecker Street Greens direction is immaculate as she paints the office is cold, harsh lighting and then permeates it with background noise of an office culture that is casually cruel and largely indifferent, especially towards women like Jane, because thats how its employees have learned to survive. The Assistant excels at dropping you into this environment to the point where I felt like I had been forced to work at an office job for a day. The movie makes the point to never be flashy with Garner giving a restrained, quietly intense performance where there really arent “big moments” because The Assistant knows thats now how this world operates. At no point is the pervert boss going to come out and announce to his employees that hes going to be using the couch in his office to sleep with aspiring actresses. It just happens in the background, everybody knows about it, and they stay silent because theres no mechanism for dealing with it. However, that helplessness and futility renders The Assistant largely inert. The biggest problem with The Assistant is you have it figured out in the first ten minutes and theres nowhere for it to go. This isnt really a story about how you push back against institutionalized barriers or how a predator is able to stay protected for so long. If you have any understanding of how this kind of environment works, its not surprising why someone like Jane and her cohorts just have to live with this crap. Were all aware of the banality of evil and The Assistant does little to add to the conversation. Green didnt need to make an uplifting story about fighting back against the system, but theres hardly any movement at all in The Assistant. Arguably, thats the point—its a fixed, closed system that insulated a predator—but you dont need a feature-length film to make us understand. Image via Sundance Perhaps if the film had been released at the height of Weinsteins powers, it could have been more eye-opening to show how someone like him operates. Of course, its not like Weinstein is the only bad actor in the world or that people like him dont exist in other industries, but The Assistant would have made more waves in 2014. In 2020 it feels late to the conversation and without much to add. We know why men like Weinstein are insulated and how they operate thanks to the excellent reporting of Jodi Kantor & Megan Twohey and Ronan Farrow. The Assistant will make you nod in recognition, but never offers any fresh insights. Rating: C+ The Assistant opens in limited release on January 31st. For more of our Sundance coverage, click on the links below: For more of our Sundance 2020 reviews, see below: Bad Hair Miss Americana.

The assistant trailer. Ive been meaning to read this book for years. Now I know I absolutely have to. The assistant plot. The assistant summary. The Online HBO 2018 Online Watch The Assistant movie vf The Assistant English Episode... Wow David Mitchell's a movie star. Everyone: start crying when reflection plays in the background Me: cries harder.

1:12 1:16 1:20 that sound tho, is making the trailer 100 times better :P

The assistant company. The assistant room. The assistant film 2020. Kitty Green's drama stars Julia Garner ( Ozark' as the assistant of an unnamed, unseen film industry mogul clearly based on Harvey Weinstein. You hear him. You feel his presence in the next room. His aides, of which you are one, are ever on alert to satisfy his ever-changing demands. You want to escape his wrath. But you never see him. Hes the elephant in the building, receiving visitors, including attractive young women. We all know who he is and are certain of what hes up to. But hes the king and youre an instantly replaceable flunky. Such is the premise of The Assistant, a novel, low-key, insider-ish glance at what it was like, not too long ago, to work for a certain outsize Hollywood mogul whose headquarters were a continent away in downtown New York City. He looms over all but no one dares speak his name. On the basis of her earlier documentaries, which include Ukraine Is Not a Brothel and Casting JonBenet two years ago, Australian writer-director Kitty Green clearly seems drawn to controversial material rooted in aspects of sexual exploitation. In her modestly scaled dramatic feature debut, she has taken a restrained approach to the inflammatory, keeping the temperature at a low simmer and insinuating rather than showing whats going on in the bosss office and in the luxury hotels he books for certain select female candidates for his attention. As if writing for a concentrated, minimalistic theater piece, Green basically presents a day in the life of an assistant to the unseen mogul. Jane (Julia Garner) is the first to arrive at the modestly sized Soho office space; its still dark outside, and she goes about the Jeanne Dielman-like daily chores of preparing the coffee, lining up the water bottles just so and, tellingly, scrubbing the couch, the first hint that something untoward might have gone on the day before in the office. You get the feeling she has made an effort to downplay her looks, pulling her hair back primly and wearing a modest outfit. Shes also extremely reserved with her largely male office colleagues, who, for their part, disregard her, either out of a sense of superiority or the feeling that she could be there one day and gone the next, or probably both. In all events, Jane, who has been on the job for just over a month, tries to keep her head down to avoid unwanted attention. Mostly, the film is devoted to detailing what one might call the ever-urgent monotony of life in the office; the boss is flying to L. A. at 11:00 tonight out of Teterboro, and there will be two additional passengers; confirm the reservation at the Peninsula; “The Wife” is calling; a beautiful blonde has just arrived for a meeting. Later in the day, Jane finds a way to return a gold bracelet to an Asian woman who was recently in the bosss office, and the quiet, unspoken indignities only accelerate from there; the young male assistants who constitute the vast majority of the office staff are short with and condescending toward Jane, whom they perhaps assume wont be there for too long, and everyone seems to be on tenterhooks, also no doubt for good reason. Green is very good at sustaining the sense of low-boil fear and tension that prevails among the whole staff, as well as pinpointing the pressure everyone feels to always deliver and not to attract attention by screwing up. Also very clear is how the few women in the office, and specifically Jane, hope to survive by not drawing the slightest adverse attention. However, its to the films ultimate detriment that Jane remains such a quiet, withdrawn, deliberately attention-avoiding figure. So determined to remain essentially invisible is she that she eventually seems out of place in such a dynamic, if combustible, environment. Nothing about her seems exceptional, to the point that one wonders why she chose to work in this rarefied realm. Jane just wants to keep her head down and escape unwanted scrutiny. As a result, the central character never develops in an interesting way. Well before the wrap-up of this brief tale, her cultivated recessiveness becomes tiresome and, in these particular circumstances, a bit dull. Up to this point, however, the film maintains an intriguing and well-managed tension, and its exacting evocation of a very particular time and place in very recent film industry history will stir the interest of industry members and students of it. A more general public, however, will likely find Greens approach dry and too restrained. Therefore, given the fireworks that have replaced the look-the-other-way attitude that prevailed for so long on the topic of this piece, The Assistant stands as an insightful, if after-the-fact look at long-tolerated behavior. It's a reminder of how things were until very, very recently. Production companies: 331 Productions, Cinereach, Forensic Films, Symbolic Exchange, Level Forward Cast: Julia Garner, Matthew Madfadyen, Mackenzie Leigh, Kristine Froseth, Jon Orsini, Noah Robbins, Julia Canfield, Alexander Chapin, Bregje Heinen Director-screenwriter: Kitty Green Producers: Kitty Green, Scott Macaulay, James Schamus, P. Jennifer OGrady Executive producers: John Howard, Avy Eschenasy, Abigail E. Disney, The Level Forward Team Director of photography: Michael Latham Production designer: Fletcher Chancey Costume designer: Rachel Dainer-Best Editor: Kitty Green Music: Tamar-kali Venue: Telluride Film Festival 81 minutes.

The assistant principal. I've watched this so many times.

Who is here for Rami Malek. Elliot Alderson 😍😍

The assistant movie times. At this point, i am waiting for this more than watching for the new year 🤭. Goddammit, it fuchsia, not fuscia, it's named after Leonhart Fuchs. The assistant pj masks. Yes! 🥰👏🏽🙏🏽 Be kind, humble and gracious! Im going through hell right now and alone! Strangers, or kind angels, really are a God-send! Cant wait to see this movie. Our increasingly graphic culture has often made us expect, and sometimes uncomfortably desire, more explicit content in films, even those dealing with sexual harassment in the #MeToo era. Writer-director Kitty Greens quiet, new drama, “The Assistant, ” refuses to succumb to that proclivity. But while the filmmaker rightly understands that shock value isnt the only way to tell a visceral story, its central performance by Julia Garner is what makes the film most interesting to watch. Clenching a wonderful actress is always a major coup for any director, especially for a debut dramatic feature. It perhaps says that the material was strong enough to attract a high-caliber star, and that there was a certain level of comfort and trust between Green and Garner. Thats definitely necessary for a film that explores the very sensitive matter of what its like to be a low-ranking female professional in an office dominated by powerful, lascivious men. Watch Video: Watch 'The Assistant' Trailer Based on Experiences of Former Harvey Weinstein Employees “The Assistant” isnt so much about the toxic men that consume coveted spaces in the entertainment industry — the high-powered agents, producers, etc. — though its clear that is from where its tension derives. Rather, it follows a day in the life of its titular subject, Jane (Garner) an assistant for said powerful men, from the moment she wakes up (before dawn) to the time she turns off the lights in the office (late at night. The camera trails Jane as she executes her menial tasks that, based on whats widely known about the duties of Hollywood assistants, is true to real life: preparing the coffee, scheduling and rescheduling flights, liaising between the hot-headed boss man and his suspicious wife on the phone. The usual. In fact, the first half of the film can be pretty tedious to watch: We are only watching Jane work. Greens camera angles, often peering down at her from overhead as she grabs coffee mugs or stares blankly at her email, merely highlight the mundanity of her job, which could really be any assistant position. Theres nothing particularly distinctive about what were seeing in this first act. Also Read: Inside Harvey Weinstein Trial Jury Selection and Why Neither Side Wanted Gigi Hadid Even the men that surround Jane are nebulous. Jon Orsini and Noah Robbins (“Unbreakable Kimmy Schmidt”) also play assistants in Janes office, and theyre each credited simply as “Male Assistant. ” Essentially, theyre the guys who are unfazed by, and sometimes even participating in, the misogynistic culture of the environment, only swooping in to help their female counterpart craft the routine apology email to her boss for stepping a half-inch out of line. In “The Assistant, ” there is nary a raised voice or harsh tone. We never even see Janes boss on screen. Its easy to suggest that Green allows the audience to anticipate something popping off at any moment, considering the culture the film is depicting, but it is actually Garners subtle yet palpable dread throughout her performance — characterized by her shaky voice and the way she flits around — that builds stress and discomfort. Thats further enhanced by Dani Broom-Peltzs effectively claustrophobic set decoration, which captures everything from the dull office lighting to the colorless walls. Also Read: A Harvey Weinstein Accuser Speaks Out: Why Aren't Silence Breakers Getting Hired? Guest Blog) What Green is really drawing the audiences attention toward is the culture of complicity — the habitual nature of faceless male execs luring novice young female professionals to five-star hotels for “unknown” reasons, to the men of all ranks joking and taking pride in this behavior, and to the remaining workers like Jane who are hunkered down at their desks just desperate to stay unnoticed. Theres rarely an intimidating element in the whole film; the story just is. While thats a necessary function to accurately express what its like to work in this kind of environment, Id be lying if I didnt say that when a fearful Jane decides to visit Human Resources to report the behavior, my attention was finally elevated. Thats partly because its well known that in any industry, the department is there to protect the company, not the employee, and watching someone like Jane, whos only been on the job for two months, attempt to blow the lid off of whats going on comes with an indescribable anxiety. Its the note that the audience is waiting for the entire film, and Garner (along with Matthew Macfadyen, who plays the HR rep) nails it. Its uncomfortable, horrific, and deeply sad. While “The Assistant” more than tries the audiences patience, often times only succeeding at creating a bleak diary of the days events, this moment makes it actually tremble. Obviously there is plenty of unambiguous reflection and plenty of movies (for example, “Bombshell”) about the lewd acts of men in power, but whats often missing in the conversation is how someone like Jane, a woman whos alone and seen as the lowest end of the totem pole, navigates whats happening around her. While Jane doesnt directly experience rape or sexual harassment, “The Assistant” shines a light on how the culture of acceptance that enables such crimes erodes the ambition, safety and souls of dutiful young women like her who are all but invisible. Its a devastating realization, making the film sneakily impactful. Harvey Weinstein Scandal: A Timeline of a Hollywood Mogul's Downfall (Photos) A chronological look at how the indie moguls career and reputation unraveled Harvey Weinstein was once the king of the indie film world. But the Oscar-winning producer's career and reputation have imploded since fall 2017, when scores of women stepped forward to accuse him of sexual misconduct. Here's a breakdown of what happened.

The Assistant First edition cover Author Bernard Malamud Cover artist Moshe Goygadosh Country United States Language English Publisher Farrar, Straus and Giroux Publication date 1957 Media type Print (hardback & paperback) Pages 246 ISBN 0-374-50484-9 (paperback, latest edition, 2003) OCLC 734832 Dewey Decimal 813. 54 22 LC Class PS3563. A4 A8 2003 Preceded by The Natural (1952)  Followed by The Magic Barrel (1958) The Assistant (1957) is Bernard Malamud 's second novel. Set in a working-class neighborhood of Brooklyn, New York, it explores the situation of first- and second-generation Americans in the early 1950s as experienced by three main characters and the relationships between them: an aging Jewish refugee from the Russian Empire who owns and operates a failing small grocery store, a young Italian American drifter trying to overcome a bad start in life by becoming the grocer's assistant and the grocer's daughter, who becomes romantically involved with her father's assistant despite parental objections and misgivings of her own. It was adapted into a film of the same name in 1997. Plot [ edit] Morris Bober, the 60-year-old proprietor of an old-fashioned grocery store, faces destitution as his customers abandon him in favor of more modernized shops. The situation is aggravated late one night when he's held up at gunpoint in his deserted store by a pair of masked thugs. The gunman beats him, leaving Bober with a debilitating head injury. Just at this time, Frank Alpine makes his appearance: a 25-year-old vagrant from the West Coast, raised in an orphanage after his father abandoned him. Leaving an abusive foster home to live as a drifter, he makes his way East in hopes of finding opportunities to turn his life around. (Later he berates himself for having had many opportunities but inevitably doing something to botch them. ) Frank begins to haunt Morris' store and offers to work without pay as his assistant, claiming that this will give him experience he can use in a future job search. The grocer, weakened by the assault and trying to recuperate without benefit of medical care, accepts and arranges for him to have room and board with the upstairs tenants, a young Italian-American couple, and provides him some pocket money. Only at this point is it revealed to the reader that Frank was the accomplice to the gunman in the holdup. Frank works industriously to improve the store's upkeep, and his attentive service wins customers. The resulting increased income is being supplemented by Frank's surreptitiously returning, in discreet amounts, his share of the holdup take. Simultaneously, however, he begins pilfering from the till. He justifies this to himself by claiming it as recompense for his contribution to the store's improved situation, and keeps an account of his petty theft with the intention of eventually returning it all. Morris and his wife Ida, the latter particularly uncomfortable with the gentile's presence, attribute the improvement to the customers' preferring one of their own. and Morris insists on offering Frank more money. During lulls in the work day the men's conversations touch upon philosophical and personal matters, and Frank privately struggles with his own ethical quandary. While Morris is notably tolerant of others, Ida is worried by the young Italyener' s proximity to the couple's 23-year-old daughter, Helen, single and living at home. Helen is courted by the sons of the only other two Jews in the neighborhood, both young men with good financial prospects, but her dreams of a better life include true love. She also aspires to higher education, but has set aside her own plans in order to take a job as a secretary, as her wages are needed to supplement the family's meager income from the store. Helen and Frank begin to notice each other, and a romance develops between them. They share an interest in books and discuss their dreams for the future. Their clandestine meetings grow in physical intimacy, yet at Helen's request stop short of intercourse. Just when she realizes she loves Frank and is committed to their relationship, Morris catches his assistant in the act of stealing. He dismisses Frank on the spot, despite the latter's confession and revelation that he "was paying it back. His confession to Morris of his role in the holdup will follow. When Frank arrives late to a rendezvous in the park initiated by Helen, he finds her being raped and rescues her. Helen is overcome by relief and clings to Frank, declaring her love for him. In his fear that he's bound to lose her when she learns of his thieving and dismissal, Frank forces himself upon her, despite her repeated protest. Disgusted with herself for ever having trusted him despite her initial misgivings, Helen curses Frank and refuses to see him again. Frank obsessively berates himself with remorse and contemplates ways to make things up to her. He apologizes to Helen profusely at every opportunity, smothering her with his need for redemption. Meanwhile, the prospects for the store have remained bleak due to several turns of events, and Morris considers desperate measures. When he is hospitalized after inhaling gas from a radiator he failed to light (claiming afterwards that this was not deliberate) Frank comes back to run the store over Ida's protests. Frank resolves to be a good person, stop stealing and somehow win back Helen's love. He takes on a second job at a diner. But, when Morris decides to leave his sick bed, he throws Frank out for good, or so he thinks. Morris grows anxious about his life—his wife is miserable, his daughter on her way to spinsterhood and his poor business no more than a prison. Morris turns down an arsonist's offer to burn his home and store for the insurance money, but then builds a fire himself. As the flames catch on his apron, Morris is saved by Frank. After being saved, Morris sends Frank away again. Then, through tragedy, things begin to look up for the Bobers. A competing grocer on the block falls on hard times, and Bober's store benefits. Then, one night, Ward Minogue breaks into the liquor store owned by Bober's rival, Karp. Minogue smashes liquor bottles, then he lights a cigarette. A tossed match starts a fire that burns the store and the apartment upstairs to the ground. Minogue dies attempting to escape the fire. Morris is ashamed that he wished for his rival's comeuppance. Even so, Karp, knowing that he will lose his business while it is being rebuilt, offers to buy out the Bobers. For a few brief days, they are happy. It is the last day of March and thick snow is falling. Morris, in a burst of energy, goes out to shovel the sidewalk, despite Ida's many objections. Still weak from the gas incident, he dies three days later of double pneumonia. Morris is remembered at his simple service as an honest man and a good Jew. But Frank and Helen are alienated. Frank returns to run the store while Helen and Ida mourn privately. Money from a second job allows Frank to pay rent to Ida but ruins his health. Frank then settles on a plan to clear his debt with Helen. He will give over all his earnings so that Helen can go to college. After several painful and awkward confrontations, Helen reinterprets the night that Frank sexually assaulted her, concluding that she would have given herself to Frank that night had not Ward Minogue attacked her. She softens towards Frank, forgiving him for raping her. As the book closes, Frank is working in the store. He studies Judaism. He gets a circumcision. And, after Passover, becomes a Jew. Literary significance & criticism [ edit] The novel has been included in Time magazine's "All-Time 100 Novels. 1] 2] Footnotes [ edit.

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